Editorial
Make-up for magazines, lookbooks and concept shoots — looks that carry a visual language instead of merely pleasing.
When the make-up tells the story.
Editorial means it is not about being pleasing, it is about having a stance. I develop looks that make a concept visible and hold up in the finished image.
From the first moodboard round to the last frame I work closely with photography, art direction and styling — from stripped-back, clear skin to graphic, colour-driven beauty statements.
I bring my own proposals rather than only executing. And I know which techniques survive a close-up when the camera goes all the way to the pore.
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Concept work
I read the references, develop variants and arrive with ideas of my own — before time gets tight on set.
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Signature
Graphic lines, texture, colour: techniques that survive a close-up and still stay wearable.
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Teamwork
Make-up is one part of the image. I align with styling and lighting instead of working against them.
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Range
Several looks per feature, clean transitions between motifs — without overloading the skin.
- Magazine features
- Lookbooks
- Concept & art shoots
- Beauty close-ups
- Fashion editorials
- Designer collections
- Portfolio shoots
- Cover stories
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Concept
We settle the theme, the references and the visual language — including how many looks and the time frame.
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Proposal
I propose concrete looks and align them with photography and art direction before the shoot day starts.
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Shoot
Execution on set, continuous adjustment between motifs and touch-ups until the last frame.
Selected editorial work
Feature in the works?
Tell me about the theme, the date and the team — I usually reply within 24 hours. Or book a short intro call right away.
Thank you for your inquiry.
I'll get back to you as soon as possible — usually within 24 hours.
selected clients and collaborations:



